Marie Hervé & Elsa Martinez | Sand of noises
*Sand of Noises* is a collaborative project that emerged from our meeting at the École nationale supérieure de la photographie in Arles. The first chapter focused on the city of Palermo in 2020, and this led to a second journey in September 2021, tracing a route across a wider part of Sicily. Set against the backdrop of Palermo and the landscapes of Sicily, steeped in legends and hybrid cultural heritages, our work explores the notions of ruins, reconstruction and collective memory.
Treating the island – a land surrounded by the mythical waters of the Mediterranean – as a phantasmagorical figure, the project charts a route that embraces the visual language of archaeology, characterised by chance encounters and wanderings, and moving between grand history, anecdotes and storytelling.
As a site of endless projections, the ruins and objects found by chance along our journey bear witness to a sense of melancholy: that of the impossibility of grasping what has been lost, and of having nothing left but fragments, remnants and silent witnesses. As a creator of mirages, photography moves beyond its role as evidence to become an ambiguous tool, blurring the lines between science and fiction, truth and falsehood, the past and a future yet to be built.
This project was developed as part of the Eurazeo Grant for emerging photographic artists and exhibited at the Hôtel de l’Industrie in Paris from 7 to 15 April 2022.
Marie Hervé is a visual artist and writer, living and working between Marseille
and Turin.
A graduate of the École nationale supérieure de la photographie, she
creates self-published works and installations, exploring the concepts of archives, cultural artefacts and contemporary uses of the image.
Since 2019, she has been working on a documentary project focusing on the spaces and cultures of the Mediterranean basin, taking her from the south of France to Greece and, more recently, to Italy.
Elsa Martinez is a visual artist and photographer.
She lives in Marseille and works across the Mediterranean region.
A graduate of the École nationale supérieure de la photographie in 2020, she defines her work in relation to time and its various manifestations: ruins, entropy, the past, the future, obsolescence and memory. Her research focuses on our cultural heritage as collective memory.
Naso sanguinante, 2020
Le scintille del sole, 2021
Monumental, 2020
Il rombo del vulcano, 2021
Incanto di Filippo, 2021